The worship leaders I know are a very mixed lot – varying in their strengths, weaknesses, preferences, influences and so forth. They’re as unique and diverse as the churches they serve. One thing that binds them unilaterally is that they face many challenges when it comes to writing their own stuff. For some of them, the problem is their own mentality – the laundry list of excuses which they believe exonerates them from the guilt they should feel for making their church sing a Chris Tomlin song for the eighteen thousandth time. Other leaders are willing to write but feel limited in the creative process.
Here are a few of the dilemmas that I, or people I know, have faced, and some advice on how to get over the hump.
Seven hang-ups to worship songwriting:
1. The overwhelming feeling of making statements about God. If you ever want to get a sense of God’s grandeur and ineffable complexity, try to write an entire song about Him! Not only will your words feel like such a shortcoming, but even your chords and melody will seem to not do justice to who God is and what He’s like. The solution? Admit it – your words do fall short of grasping and capturing a wild God. You can wallow in the inadequacy of your words or you can suck it up and create anyway. Your lyrics don’t need to be exhaustive treatises. Each song should be focused on providing lively imagery to a specific concept.
2. Other songs are already out there. Yes, it’s true – five or ten “worship celebrities” keep pumping the jams. Some of their stuff is useful, and there is some value in using a “stock” worship song now and then – it connects you to the modern global Church (or at least the Western Church) just like older hymns connect you to the historic Church. But keep this in mind: those commercial worship leaders do not know your particular church; you do. You’re the one who’s in place to pastor and shepherd your community through music and the arts. Study your church – where it is and where it’s going – and write out of your particular church’s experience and expression. If nothing else, it’s an extra excuse to grab coffee with the people in your church and hear about their stories.
3. Writing verses can be a pain. It’s true that for almost any musical genre the chorus is the easiest part of the song to write. Even bad musicians write decent choruses. But when it comes to creating a verse, the melody often gets super forced or contrived, the lyrics lack theme and flow, and chord selection is completely bland. If you can, start by writing the verse of your song. Or, if you have a chorus in place, make at least three or four different verse possibilities before you begin to really edit the song – before you start considering it solidified to any extent.
4. You’re in love with a particular strumming pattern. You want to know why everything you write sounds the same? It could be that your strumming pattern is one irrevocable stream of dull rhythm. How do you flee from the boredom? Try doing your chord changes at less-than-obvious places – you might start to hear new ideas.
I’ve learned that if I’m working on a song for worship, listening to the typical commercial worship songs is the absolute worst thing I can do. Instead I search through my music and find bands whose musical integrity I respect and whose stuff is also quite “singalongable,” because that accessibility is so key to what I’m making. Basically, just ease toward the poppy end of whatever music you respect.
5. You ran out of “biblical” language. Good. I was hoping you’d stop cramming words like “righteousness” and “omnipotent” into your songs anyway. David thought for himself. Paul thought for himself. You can too. You’re free to take ancient concepts and put them into language that makes sense to people today. You’re writing with your church in mind, so write with language that has a fighting chance of conjuring exciting thoughts of God in the minds and hearts of your church community. Don’t equate outdated language with reverence.
6. You wrote a song last year and it still works okay. Really? You’re that lazy? This connects to the previous point in that language changes. Phrases grow tired. Metaphor is limited – one is never enough. If Charles Wesley can write thousands of hymns (his goal was one a day) and Sufjan Stevens can write entire albums about individual states, I think you can muster up a song each month at the very least. Remember how God is so huge that it can be intimidating to write about Him? Yeah, that also means He’s immense. So you’ve got a lot to work with. Plus, the more you write, the easier it becomes.
7. The songs are finished, but they don’t seem like irreplaceable timeless capsules of majesty. What were you expecting? Most songs aren’t timeless. My iTunes is filled with songs I was excited about for a few months; I go back to them here and there after the honeymoon period, but their role in my song library changes dramatically after a couple months (there are rare exceptions, but this applies to at least 97% of songs I own).
Why would worship be different? Words about God are still words about God. Not only do you need to keep creating for language’s sake, but you need to do this for your own sake (you’re a musician, after all) and for the sake of your church. Your church is different than it was eight months ago, and it’ll be different again in another eight months. If your songs are going to tell their story, you’ll need to be narrating their evolution each step of the way.

